It's all cinematic saccharine, but then, given that Hirani takes the opportunity to aim some potshots at organised religion and its gatekeepers, is the familiar a worthy method to sneak in a message?Ī spoonful of sugar to make the medicine go down?Įither way, religion - not God - is the enemy here, and while PK doesn't load up the cannons quite as potently as Umesh Shukla's OMG Oh My God did a couple of years ago, it musters up the drama in much more stirring fashion.Īnd its protagonist is quite extraordinary.Īamir Khan is exceptional in PK, creating an irresistibly goofy character and playing him with absolute conviction. The background score is used in the style of a seventies melodrama, all orchestras set to swell characters hear things which then echo around in their heads and there is a fond reliance on age-old cinematic cliches like characters going to a performance only to imagine themselves singing and dancing on stage. This foolproofing, it appears, is very much a part of Hirani's process. They do hammer their points home in overlong fashion, however, perpetually taking several scenes to illustrate what a clever set-up and punchline could do in two shots. This is all run-of-the-mill stuff, really, an old trope that could easily be taken from, say, Ron Howard's classic Splash (right down to the nakedness), that of a disarmingly naive outsider taking us at face value.īut the telling is in the details, with Hirani and co-writer Abhijat Joshi giving PK enough genuine insight to keep us hooked. The alien, PK, looks at life as laterally as an aborigine given a copy of the New Yorker, and his uniquely coherent perspective enchants Jaggu. Still a rookie (and thus still armed with the kind of eager-beaver enthusiasm not yet decapitated by actual time in a newsroom) Jaggu chances upon the alien and, reasonably enough, considers his story more newsworthy than one about a manic depressive dog.
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Jaggu's a plucky girl who has just joined a Delhi-based television news channel. His tale is being told to us by a girl called Jagat Janani, who, for sanity's sake - and possible Jackie Shroff fanhood growing up - calls herself Jaggu. God help you, say the folks he confounds with his bug-eyed questions, sending him for answers toward temples, mosques and churches. Thus is the naked feller stranded and stumped, hunting for his amulet with merely a boombox for cover and company. He's buff and eager and comes from a planet where they don't need clothes, and seconds after landing here, one of us steals his intergalactic transmitter, the remote to signal his ship from home. We can all stand around and point fingers at the indulgently laboured way he makes a point, but the fact remains that PK is a ridiculously effective film, a triumph you are likely to walk away from with a gladder, lighter heart - and, perhaps, a moister handkerchief.Īamir Khan plays a visiting alien, a head-nodding explorer out for a recce of our planet. His are comforting films, ones with their edges sanded off and their seams showing, films unashamedly lacking in subtlety because he chooses to paint only in broadstrokes. Many of the benign characters in “PK” seem like they are spillovers from “Munna Bhai” and “3 Idiots”, making an all-out effort to be good souls.Cynicism is always easier than sincerity, and few filmmakers can nail the latter quite as consummately as Rajkumar Hirani, an old-school teller of fables who specialises in giving his audiences lumps in their throats. I wish Hirani wouldn’t be so conscious of his reputation as a creative genius whose films are extended ‘jadoo ki jhappis’. There are dozens of brilliant actors making fleeting appearances in what must have seemed like a god-sent opportunity to work with one of India’s finest filmmakers. And yes, watch out for a very prominent mention of the father and son Harivansh Rai Bachchan and Amitabh Bachchan in this episode. Watch out for an amusing cameo by Ram Sethi (the Big B’s sidekick in many Prakash Mehra blockbusters) in the Sushant-Anushka episode. The efficacy of the relationship is substantially dependent in Sushant Singh Rajput, who brings an endearing and effortless warmth to what would otherwise have been just a boyfriend’s role. While Aamir owns most of the narrative as though born to play the alien, the film’s most tightly narrated episode is the Sushant-Anushka Indo-Pak love story.
PK MOVIE SERIAL
This could well have been a television serial about an alien who delivers some down-to-earth homilies.